Comparing: The purblind excuse and Lenox channel The The Weary color and Lenox pass: Midnight by Langston Hughes are dickens poems written as scenes of urban life. Although these poems were written more than 70 years ago, it is surprising to construe some general similarities they dowery with modern day urban center life. Diluted down with boy play and irrelevant lines such(prenominal) as And the gods are laughing at us. the underlying authorship is manifestly urban life. The Weary megrims and Lenox roadway: Midnight come on the general topic of urban life from two discordant aspects also. The Weary Blues speaks of a person hearing a black playing the blue devils on a forte-piano consume on Lenox Avenue the new(prenominal) night. Droning a drowsy syncopated honeyed line, Rocking back and forth to a mellowly croon, I perceive a Negro play. Down on Lenox Avenue the other night By the pale dull fairness of an old grease-gun light * He did a vacant agitate . . . * He did a lazy sway . . . To the bank line o those Weary Blues. With his ebony turn over on each ivory key He made that misfortunate piano moan with melody. O Blues! Swaying to and fro on his askew stool He played that regretful raggy tune like a musical fool.
Sweet Blues! overture from a color mans soul. O Blues! In a deep stock voice with a sober tone I heard that Negro sing, that old piano moan-- Aint got zilch in all this world, Aint got zip but ma self. Is gwine to withdraw from ma frownin And put ma troubles on the shelf. Thump, thump, thump, went his foot on the floor. He played a few chords then he render some more--...If you command to get a amply essay, hallow it on our website:
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